Theatre
equipment has been around for at least 2,500 years
when in the 5th century BC we know that the Greeks produced deus
ex machina by which an actor could be lowered on to the stage. They later
began to use movable scenery which was mounted on wheels. The Romans added
traps which meant that actors or objects could spring out of the stage floor,
and they also had pumping systems for outdoor theatres which could flood them
for aquatic scenes.
Late in the 14th
century in Italy, engineers designed similar machinery for use in churches so
that with a system of pulleys and ropes a whole cloud of angels singing could
descend from heaven through the clouds. Further developments were made on the
periaktoi devised by the Greeks which enabled scenery to be changed on movable
prisms. In fact, stage equipment in Italy eventually became so complex
that they had to invent the very decorative proscenium arch in order to keep it
all out of sight.
Early Italian
operas had sea scenes with waves made using spiral columns that were painted
and turned slowly. Complex systems of wires and pulleys enabled gods and angels
to fly across the sky, while monsters were operated by teams of men inside
them. In the late 17th century, Inigo Jones and Italian engineer
Torelli produced a system for moving the wings so that scenery could be changed
instantly. All of this became increasingly complicated and also expensive.
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